Monthly Archives: September 2009

Chess Combinations: the eternal beauties of chess

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Filed under General Chess
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Ask any chess player which aspect of chess he/she finds most interesting and it is most likely that chess combinations will have this pride of place! Of course, combinations are nothing but chess tactics of one or more kinds strung together by a series of moves. Why this fascination with chess tactics?

We tried to explore the roles of chess strategy and chess tactics by raising questions on What is chess strategy? Isn’t a chess game all chess tactics?. Here we are trying to examine what lies behind our preoccupation with chess tactics.

Good strategy adds fillip to chess combinations, giving it a direction leading to the ultimate win which is the prime goal of any chess player. But all strategies become meaningful only with the support of appropriate chess tactics. On the other hand, you may be able to produce brilliant combinations without being much aware of the presence or absence of underlying chess strategies.

Also, chess tactics is much more visible than chess strategies. That is why tactical players get much more adulation from the spectators or those who study their games when compared to the positional players. Even the best players fall prey to this temptation and can be seen to go for sacrifices and other tactics to get the win when some prosaic moves could fetch the same result!

All the above may be correct observations but they still do not answer the question on our fascination with combinations. Appreciation of chess-playing public may be an incentive, but not the complete answer. When you are playing with your friend with no one looking, don’t you still look for creating something in the lines of Morphy or Tal? And when you do create one, you will surely like the rest of your world to know about it! Read some other chess blogs and you will know what we mean!

There is part of the answer – ego satisfaction. But this ego is not always a matter of conceit but something much deeper than that, the fulfillment of the superego. It is something akin to the joy of creation felt by anyone in a creative pursuit, be it art, sculpture, literature, music etc. – and I would even like to include sports and games also when some of the top players ultimately compete with themselves to keep raising the bar!

This brings to the fore another aspect – the challenge of it! This is ingrained in our love of puzzles of any kind. But in chess, this puzzle is more refined. Normal puzzles are created by someone and by trying to solve, you are taking up the hidden challenge of the creator. But in chess, complex positions come out of the play without anyone foreseeing it. When these happen, both you and your opponent are trying to find the best way to resolve it. This desire aided by inspiration brings about combinations which give the creator that sweet feeling.

The pleasure of getting recognition is a bonus when some of these chess combinations find their way into chess lore to create wonderment for present and future generations. Chess problems are diverse and so are their solutions, hence there is no dullness of repetition that happens with other types of puzzles. Even where the solution falls into a pattern, the way to it will be different – so every problem and solution appears unique.

The other interesting thing about chess combinations is that they are not the prerogatives of top players unlike in other creative fields where the really good creators climb to the top sooner or later – if not in their lifetime then after it. But the world of chess preserves brilliant combinations which have survived their creators – ordinary players who themselves have passed into obscurity. In Chess Games: Amateurs can also produce gems!, you may read about a case in point.

Accepting that brilliant chess combinations are treated like great works of art by chess aficionados, we will try to show in our next series of articles some chess combinations that we liked in games from lesser known chess masters. We hope you will enjoy those as much as we did!

Center control in Chess makes for a forceful attack

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Filed under Attacking tactics, Chess Basics, Chess lessons, Chess Opening, Chess Strategy, Chess tactics, Chess Tutorials
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A vivid example on importance of center control in chess showed you the importance of this aspect of chess openings. At the risk of overstressing the point, here we bring another short game played with Sicilian Defense which is supposed to give Black a good fighting chance against White’s King Pawn opening.

We have already discussed about the theory behind one variation of Sicilian opening in Chess Opening: Control of Center – Part 1 and showed examples in Chess Opening: Sicilian Defense Theory to Practice about the kind of play that can win for White or Black.

Sicilian Defense is the choice of combative players because Black is playing to create advantage, not just to achieve equality. At the same time, Black must realize that by not directly going for the control of center, he may be allowing White an early initiative. Therefore Black has to play carefully so as not to be swept off his feet by a quick attack before his own thrusts have taken effect.

Just adopting Sicilian Defense without this realization is not going to help Black to get the upper hand. He must be prepared to play aggressively but precisely in line with the theories to snatch the initiative, otherwise it could be a recipe for swift demise! That is what happened in the following game played at Bad Gastein in 1948 and we try to identify where Black went wrong and allowed White his brilliant attack.

Nicolas
Rossolimo

 
Ivan
Romanenko
 
1. e4   Aims to control d5 and f5 and create space for King side initiative
 
1. c5    
 
Shows black’s intention to go for Sicilian Defense.
 
This move apparently violates the principle of controlling the central and semi-central squares as it applies pressure only to d4.
 
Unlike moves like …e5 or …Nc6 which challenge center control or develop minor pieces, …c5 does neither. It also needs some more pawn movements like …d6, …e6, …a6 etc., allowing White a lead in development with attacking chances.
 
Then why go for it?
 
On the positive side, it gives Black
  • space advantage on Queenside and further actions on that flank
  • pawn majority at center by exchanging this pawn with White’s d4 pawn when he advances it to get full control of center
  • control of open c-file after the exchange, using his Queen or Rook in that file to facilitate Queenside counterplay
2. Nf3 Nc6   Moves and countermoves to wrest control of d4 and e5 squares
 
3. Bb5  
 
To quote Al Horowitz, this move was ‘actually an idea of Nimzowitsch, who called it one of his little jokes in the opening’. It was Rossolimo who adopted it many times to achieve remarkable success (as in the present game). That is how this line of Sicilian Defense goes under the name of Nimzowitsch-Rossolimo attack (ECO code: B31)
 
The main purpose is to get a rapid development and a strong center with c3 and d4. The struggle for d4 dictates the tactics for both sides and Black must be ready to capture on d4, else White gets great lead in development.
 
3. g6   Black is getting ready to develop his KB to g7 and to apply pressure on d4 and e5 squares.
 
White’s usual intention is to play Bxc6, giving Black doubled pawns. Black’s major responses are 3…g6 preparing …Bg7, 3…d6 preparing …Bd7, and 3…e6 preparing 4…Nge7.
 
4. 0-0 Bg7   White safeguards his King and wants to use KR as part of his attacking plans. Black of course carries on with his development plans.
 
Position after 4 moves
rossolimo_variation1
 
5. Re1   Normal continuation is 5. c3 Qb6 with a struggle for control of d4. The text move was introduced by Gurgenidze for expected line of play along 5. Re1 e5 6. b4
 
5. Nf6   This changes track from control of d4 to attacking e4 pawn and exposed the Knight to an early attack.
 
6. Nc3   White develops his Knight to support his QP as also his KB and adds to the control of d5
 
6. Nd4  
 
In keeping with the strategy discussed against move 3, Black should have gone for 6. … e5 followed later by …Qb6. Other alternatives would be 6 … d6 to enable …Bd7 or to safeguard his King (because of the distant and not so distant pins by White’s Bishop and Rook) by …0-0. The text move was not consistent with any of these ideas and hence a questionable move.
 
7. e5 Ng8   Black’s inhibited play and inconsistencies allow White considerable space in center with tempo through attacks on enemy pieces.
 
8. d3 Nxb5   See how Black is surrendering all initiative to White. While White opens lines for his QB, Black’s QB is still locked in and his King’s Knight has retreated and blocked castling for his King. His center pawns remain immobile. The exchange of Knight and Bishop was originally the intention of White’s 3rd move to reduce Black’s control on d4 and e5. Without being forced, Black Knight has taken the trouble of wasting several moves to give White what he wanted!
 
9. Nxb5 a6   Another questionable move by Black. As subsequent moves show, White’s QN was headed for d6 square, Black’s move just assisted it in taking that step!
 
One of the basic tenets in chess is that you should not force a badly placed enemy piece to move to a better square. By extension of the logic, do not induce your opponent to take a move that he was ready to take. Both these lose tempo for you as you could use that time to make more profitable moves for your own pieces.
 
Position after 9 moves
rossolimo_variation2
 
10. Nd6+! exd6?   White knew that the capture of his Knight would give him a fierce attacking opportunity and so his move was an excellent idea. But Black still fell for it, making a bad situation really worse by exposing his King to the possibility of a discovered check. After this, White’s attack through a brilliant combination simply rolls on.
 
11. Bg5!  
 
White has timed his moves to perfection! He held back the discovered check to first drive away the Queen which could come to some help against what White planned. With an immediate discovered check, Black would be able to extricate himself with Ne7.
 
There is a couple of important lessons here. Firstly, you can sometimes get out of a difficult situation by returning the material that was sacrificed by your opponent to gain an attack. By doing this, you are still even on material, but the opponent’s attack may fizzle out. Trying to hold on to the material only adds to your difficulties.
 
Secondly, you need not be in a hurry to execute a move which is there for the taking when you can make some other move that compels your opponent to attend to it first. All good players know this maxim of looking for a better move when a good move has been found.
 
The text move by White takes care of both these possibilities.
 
11. Qa5   11. … Qb6 would not be any better.
 
12. exd6+ Kf8  
 
At this stage, White’s win was only a matter of time and most players would possibly go for the simple 13. Qe2 with one likely line as:
 
13. Qe2 Bf6 14. Qe8+ Kg7 15. Ne5 (threatening 16. Qxf7#) Bxg5 16. Qxf7+ Kh6 17. Qf8+ Kh5 18. g4+ Kh4 19. Qf3 (threatening 20. Qg3#) Bf4 20.Qxf4 Nf6 (or Qb4) 21. Nf3+ Kh3 22. Qg3#
 
But White found a more elegant line.
 
Position after 12 moves
rossolimo_variation3
 
13. Re8+! Kxe8  
14. Qe2+ Kf8  
15. Be7+ Ke8   15. … Nxe7 16. Qxe7+ Kg8 17. Ng5 with Qf7# to follow
 
Position after 15 moves
rossolimo_variation4
 
16. Bd8+! Kxd8  
17. Ng5 Resigns   It is either 18. Nf7# or 17. … Nh6 18. Qe7#
 
The final position:
rossolimo_variation5